Aram Han Sifuentes
  • home
  • upcoming events
  • The Official Unofficial Voting Station
  • Protest Banner Lending Library
  • messages from my ancestors to our colonizers
  • a mend: a collection of scraps
  • u.s. citizenship test sampler
  • Younghye Han: My Mother's First Exhibition
  • embroidery in translation
  • Kim Jong Un Americans
  • the functional needle project
  • cooked. pierced. dried. threaded (feb 6th to march 26th)
  • needle: to pierce; to sew
  • a grain of truth
  • to sweat [sweated; sweat]
  • artist statement
  • bio
  • cv
  • contact me
Sewing is a time-based practice. Fiber as a medium speaks a language of accessibility, intimacy, and time. From its inception, it has been touched. To sew, the hand, armed with a needle, pierces the cloth, pulls the needle up, pierces the cloth, and pulls the needle down. Each sewn thread creates an indexical line of invested time, gesture, and rhythm.
As an artist I use this needle and thread to confront social and racial injustices against the disenfranchised, particularly immigrants, and riff off of official institutions and bureaucratic processes to reimagine new, inclusive, and humanized systems of civic engagement and belonging. I do this by creating participatory and active environments where safety, play, and skill-sharing are emphasized. And even though many of my projects are collaborative and communal in nature, they incite and highlight individual’s experiences, politics, and voice. Much of my work revolves around skill sharing, specifically sewing techniques, to create multiethnic and intergenerational sewing circles, which become a place for empowerment, subversion and protest.
The needle is a political tool. It pierces and binds membranes together. The thread that it steers is tied off and remains while the needle continues to bind and mend. In my art practice, I use that needle to stitch together various histories and discourses revolving around the simple act of sewing. However, this act is anything but uncomplicated. The creation of each stitch engages sewing’s complex histories and politics of traditional, industrial, feminist, queer, and immigrant work and labor. 

 

copyright aram han sifuentes 2017
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